“Our old friends French Paper Co. of Niles, Michigan supplied “Olive,” “Wine,” and “Chocolate” 100# Speckletone for the covers, with production bouncing around the Midwest for the last few weeks. Printing started in Chicago’s suburbs at eDoc, then the covers were delivered to Nu Wave Diecutting & Finishing in downtown Chicago to emboss the cover logo. After a trip back to eDoc for bindery, they were trucked down to Liberty Book and Bible in Indianapolis for a process nearly as old as bookbinding, but all-new to us!”
Wow. That’s what I said when I saw these online for the first time. It’s like they made an edition for me. There is absolutely nothing I don’t like about these. The muted tones, the gold ink, the different (and very useful) rulings in each book, and the awesome gilded edges all add up to probably my favorite FN edition yet. The books each have a different ruling.
The green is a ledger (which I’m using to help myself budget and save) a 56 week day book (which I’m using to micro-journal) and a standard graph book for everything else that doesn’t fit in the first two. I’m currently carrying the book in a Midori-style leather cover that holds the three books in place with elastic bands (Thanks to Cary Yeager of Fountain Pen Day for that!).
Like I said before, there’s nothing about these books that I don’t like. The paper in Field Notes has been historically mediocre when using a fountain pen, but finer nibs and the right ink will work on these with no issues.
“Here’s what we can tell you: each “Unexposed” pack features three 5.5-inch x 3.5-inch 48-page memo books in an opaque black sleeve. The interior paper features our “reticle graph,” last seen in the “Night Sky” Edition from Summer 2013.”
If you have yet to notice the trend of matte black, grey, and darker colored pens on the site, I dare you to look at some of the back posts. This edition of Field Notes is definitely not my cup of tea, but that’s not to say it’s not something fun and different. I was hoping for some more typical fall-themed colors and it appears that we got the polar opposite. The cool thing about the release is that they did not tell you what you were going to get. Instead of the usual “belly-band”, the books were sealed in a black paper envelope.
There are 6 different colors, randomly inserted into the packs. I lucked out and got one of each across the three packs that I ordered. The super bright, Lisa Frank-ish colors aren’t going to see any use by me but they are a cool addition to the collection. The reticle graph ruling is cool as well, I really enjoyed it in the Night Sky edition from 2013. This was also the first round of photos from my new iPhone 6 – I think they definitely got the job done. What did you think of the Fall 2014 Colors edition?
Notes: Ever since hearing about the ink a month or so ago, my excitement has been building. You can imagine how excited I was when I found out that Sunny from Exaclair was bringing a bottle to the DC Pen Show and that I could take a little bit home with me. With Stormy Grey, J. Herbin is adding a great new ink to their nicely-packaged, ever-popular 1670 ink series. The last one (the dark blue) had no signature sheen that Rouge Hematite (red ink with a gold sheen) was known for. I can happily say that they have re-introduced the sheen, and this one is the best yet. The dark grey ink has a wonderful, sparkly gold fleck in it that doesn’t jam the pen up at all. At extreme angles you can see that there is a ton of gold suspended in the ink and it looks awesome when laid down on the page with a broad, wet nib. There is no question that I will be picking up a bottle of this ink when it becomes available in October. Thank you Sunny for letting me snag some at the show!
Gold doesn’t clog
Great shade of grey
May clog up a pen if it is not properly maintained
Notes: Thank you to Tyler of Oraganics Studio for sending me home from the DC Pen Show with a few bottles of ink to try out! This particular ink is called “The Real Teal” – it supports cancer research, with a portion of the proceeds being donated every time a bottle is purchased. The ink itself is hand made right in Maryland and it performs great. It’s got a good flow in the Lamy 2000 and some nice mild shading. The ink provides some great lubrication to the nib and glides easily across the page. The color is similar to Diamine Marine, which I happen to love. It’s a great ink, made in the USA and supports a great cause. Definitely check this one out!
Since the new app called Hyperlapse came out, I figured I’d give it a try. Here’s a little look into how I do an ink review. I thought the time-lapse was pretty cool. There will definitely be more of these in the future, let me know what you think!
Also, don’t worry – the full review of the J. Herbin 1670 Stormy Grey is coming really soon! It’s a great shade of grey with a ton of gold fleck suspended in the ink. I will absolutely be picking up a bottle when it comes out!
A pen blog, focusing on high quality reivews of fountain pens, ink, mechanical pencils, and stationery.