Notes: So, I’ve found my new favorite ink…this one. J. Herbin’s Emerald of Chivor is an awesome shade of teal with the signature 1670 gold flakes. In addition to the gold, there’s an incredible red sheen seen around the edges of each letter and where the ink pools – resulting in an ink with intense depth. The ink flows well, if anything a bit on the wet side in my Lamy 2000’s broad nib. There’s so much depth to this interesting ink and I absolutely love it. Even my friends who have seen it (who couldn’t care less about fountain pens and ink) commented on how cool it looked. I think the ink looks best in a broad nib, and even better in a folded nib dip pen. On top of the gold flakes, the red sheen, and the high saturation, the ink has a nice degree of shading. J. Herbin really hit it out of the park with this intensely complex ink!
Be on the lookout for Emerald of Chivor in stores later this summer!
Check out this video I produced for J. Herbin for the new ink:
All photos are uploaded in hi-res, click to enlarge!
OMG GOLD FLAKE
Disclaimer: I received this bottle of ink pre-release for purposes of product photography and video production. I was not compensated for this post – all opinions are my own.
Summer 2015 Colors Edition
Specs From Field Notes:
“This 27th limited COLORS edition is a set of six books, boxed in a sturdy 60-pt custom slipcase with a sheet of crack-and-peel decals. Each of the books focuses on one DIY discipline — Wood Working, Automotive, Gardening, Painting, Plumbing, and Electrical — each containing tips, reference materials and the usual Field Notes wise-cracking.
The six covers are color-coded to compliment six tones of 100-lb cover stock from the French Paper Company’s terrific new “Kraft-Tone” paper, their first new grade in five years. The 70-lb text Kraft-Tone “Standard White Kraft” body pages feature our dot-grid, and are bound with tough brass staples. Anyone fixing a switch, planting a bush, or painting a door jamb will find these books make a nice addition to their workbench, junk drawer or toolbox.“
This is going to be like my coverage on the other COLORS editions by Field Notes – more of an overview than a full review. If you’re unaware, Field Notes puts out a quarterly limited edition, usually themed, with some cool details involved. This set of 6 books is packaged in a cardboard slip cover and they’re themed to help you get work done. Each book represents a sect of handiwork, from electrical to plumbing. The covers are heavy 100 lb. stock that feels like it will stand up to being tossed in a toolbox or back pocket.
I particularly like the brass staples. They’re subtle, but I think that’s why I like them. The 70 lb. paper inside is quite toothy, but does a decent job holding up to fountain pen ink. I’ve been more into pencils lately, and the toothy paper feels great with some nice graphite. There’s a bit of feathering and some minor bleed through, but Field Notes haven’t ever been the greatest for fountain pens. Gel ink, ballpoint pens and even some markers work well with the paper, you shouldn’t have any trouble.
I’m a fan of the edition, and as with all COLORS editions, these are limited. Head over to FIELD NOTES to grab a pack (or two, like I did…) before they’re gone forever!
“French Paper supplied four cover stocks for these books: Pop-Tone 100#C “Lemon Drop” and “Sno Cone,” Speckletone 100#C “True White,” and Dur-O-Tone 80#C “Packing Brown Wrap.” We hand-set several designs using Hamilton’s collection of vintage type and ornaments. Hamilton then printed our designs in two random colors on a 1961 Heidelberg GT 13″×18″ windmill press. Randomizing the designs, papers, and colors resulted in thousands of variations. Further variations were introduced thanks to the nature of wood type, letterpress printing, and the music playing in the print shop during the 200+ hours on press.
Back in Chicago, our logo and specifications were added with a hit of “Broadside Blue-Black” ink. Then the books were bound with 48 pages of Finch Opaque Smooth 50#T featuring our “Double Knee Duck Canvas” graph grid. Three copper staples hold ’em together. As always, they’re all-U.S.A.-made, with a lot of love from the shores of Lake Michigan.”
This is less of a formal review and more of a “GO GET THESE BEFORE THEY’RE GONE!”. Field Notes are some of my favorite notebooks in terms of design, especially the COLORS editions. This one is no exception. I’m a sucker for all things screen printed, and these being a mix of wood block and letterpress immediately grabbed my attention. The books are all unique, in that they are all a random assembly of designs and text. Even cooler is that each one is hand-set, making the creation of the covers less of a set-and-forget and more of a hands-on process.
I can definitely appreciate that. The subtle details like the dark blue inked “FIELD NOTES” logo on the front and the copper staples really stand out. I ordered three 3-packs and each book is different from the next. As far as performance, the Finch Opaque Smooth 50#T paper works well enough. I decided to use a book for doodling with my Lamy broad nib, and there’s a fair amount of bleed and feathering. The paper works great with ballpoint, gel, finer rollerballs and finer fountain pen nibs.
The graph inside is pretty standard, the 4.5mm spacing nicely compliments the size of the book. I’ve been using one to keep track of what episodes of the X-Files I’ve watched, rating them as I go. The graph definitely proves helpful for making a checklist. The cool factor on this limited edition is through the roof, go pick some up before they’re gone forever!
When I saw that J. Herbin now offers small sample size bottles, I had to jump at it! Thanks to JetPens for sending over the bottle for review! As vibrant and nice as the color is, the performance of the ink is rather poor. The wet flow writes nicely, but results in some pretty bad feathering and bleed through. I haven’t had this issue with other J. Herbin inks, making this atypical. There are plenty of other blues out there, lots very similar. Unfortunately, I’d recommend passing on this one. If you like what you see and you absolutely have to have it, it does work well on Rhodia paper.
Check out JetPens for tons of awesome Japanese pens and stationery. Free shipping on orders over $25, and hitting that is always an easy task!
Notes: Further expanding their popular line of pen cases, Nock Co. has released the Dot-Dash pocket notebooks. Blindingly yellow covers and a unique ruling make these stand out from the pack. The top staple binding is an interesting touch that I ended up liking more than I had initially thought. Big thanks to my buddies over at Nock for sending me a three pack to check out!
The cover is very much yellow. This is well outside my comfort zone of muted, black, and grey, but I enjoy it. The 80lb. cover feels a bit thin to me for a pocket notebook. I don’t t know if it’s the coating, but it seems to get wrinkled much easier than others. It seems durable enough, so no real complaints. I like the subtle ‘n‘ branding on the front and the USA on the back.
The 50lb. paper inside does a reasonable job of holding up to ink. It’s nice and smooth, and I like how bright the white is. The ruling is in grey ink, making sure your writing is front and center, not the pre-printed lines. The paper holds up to gel, ballpoint and pencil with no problems, but rollerballs, fountain pens, and markers will bleed and feather a bit. I don’t mind this, as it means that the ink will dry faster. I wrote an entire article on what makes a pocket notebook fountain pen friendly, and I think it’s more of a pro than a con to have a quick dry time with a bit of bleed through.
You can see that the back side would be a bit annoying to write on, but that really depends on the pen, nib, and ink you’re using. If you absolutely must use a fountain pen, an extra fine nib and a low-feather ink should be more than sufficient.
The Dot Dash ruling is very unique. It’s not quite as intrusive as a graph, but gives you all of the benefits. The light grey is easy on the eyes, yet dark enough to see clearly. 4.25mm spacing is ideal for the 3.5×5.5″ book size, not too big and not too small. It’s a pet peeve of mine when the ruling is not proportionate to the size of the notebook.
Overall, the Nock Co. Dot Dash book is good to quite good. The top binding is useful and allows you to use the book in a different way than most pocket notebooks on the market. The paper isn’t Rhodia in terms of ink resistance, but it will get you by. I’d definitely say that I am a fan of the Nock Co. books. Once again, thanks for sending them over!
Have you tried the Nock Co. Dot Dash notebook? Let me know what you think about it in the comments below!
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